As they state themselves, during the recordings the developers focused on two major factors: recording at the highest sound quality while capturing as many dynamic layers and round robins as possible. The drums for Strikeforce were recorded in various locations in Los Angeles by industry-leading musicians. In recent times, this contemporary percussion sound can be heard on countless cues of top-notch film composers like Junkie XL and Hans Zimmer. This particular sound includes drums and percussion from all around the world including huge taikos and buffalo drums, as well as more obscure and hybrid sound sources.
You may say these guys know their tools which makes it even more exciting to see them teaming up for their own take on a cinematic percussion ensemble library.įirst off: it might be important to know that Strikeforce is not intended to be a traditional orchestral percussion library! While it also features percussion instruments found in the symphonic orchestra like snares, toms and anvils, the library focuses more on the contemporary sound of larger-than-life percussion ensembles.
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Among those are soundtracks to dozens of feature films including additional music for Black Hawk Down and Blade: Trinity, TV series like Cold Case and Top Gear, a Spiderman video game as well as countless music contributions to blockbuster trailer campaigns. Laboratory Audio’s co-founders, Thor Laewe and Tobias Enhus are both seasoned composers who gathered plenty of prestigious music credits along the years. While Laboratory Audio, the brand that developed Strikeforce, may be quite a fresh face on the cinematic sampling market, the guys behind the brand are definitely not.
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